June 4th - September 26th, 2010
Print 2010 The Tradition Continues
Printmaking has its roots in prehistoric times, when humans placed their hands on cave walls and blew pulverized pigment around them to create images. In approximately 500 BC, Sumerians carved images on cylinder seals that could be pressed into wet clay, thereby creating multiple imprints to indicate the ownership of goods. Chinese scholars created rubbings from carved texts around 200 AD, an early form of printing that could be done on paper and silk.
Printmaking initially flourished as a form of communication, for it enabled artists to make multiples that could be disseminated to a large number of people. Starting in the eighth century, Japanese artists used printmaking to make multiple editions of Buddhist manuscripts. In fourteenth century Europe, woodcut prints became a popular way to distribute Christian images to the common people. In the fifteenth century, Gutenberg’s printed Bible ushered in a whole new era of literacy. From the Renaissance onward, individual artists became known for their spectacular use of printmaking.
Over time, the “toolbox” of printmaking techniques expanded to include etching, mezzotint, and eventually lithography, silkscreen, and monoprint. As processes became more complex, more artists began to work in printshops with professional facilities and the expertise of a Master Printer.
The late nineteenth century saw the rise of the artist-printmaker in Europe and the United States. Contemporary artists continue to use printmaking for its unique visual qualities. As today’s artist-printmakers work with time-honored hand processes, often in communal printmaking workshops that foster collaboration and innovation, they build on the rich traditions of their artistic forebears.
The Tradition Continues today in Taos. Many Taos artists have taken advantage of the Printing Studio at UNM and Taos artist with their own Printing Press often offer their studios to other artists in the community. This exhibit represents new work by local printmakers working in their own studios or in a group setting. All artwork will be for sale with a portion of the proceeds to benefit Taos Historic Museums.
Acknowledgements:
Highpoint Center for Printing for the history of printmaking
Les Maitres des Arts Graphiques and MoMA for the definitions of print terms
It comes as no surprise that the E.L. Blumenschein Museum new exhibit is a print show. Helen Green Blumenschein, E.L.’s daughter, an artist in her own right, created many prints and etchings. They were used as book illustrations, greeting cards and book plates. On display during the show will be some of Helen’s original plates and Lino blocks.
Location: E.L. Blumenschein Home and Museum